At 15:41 12-11-2007 +0100, Lars Jacobsen wrote:
By reading this PDF I now understand that even if you
do your
linearization curve like this a gradient may still have flaws that
can only be detected by a visual check of a two dimensional gradient
patch like the one on the Fogra chart. What is ment by a four color
check plot ? Is it s print including the curve? Can you put these in
other words?
We have Agfa Digiwedges on every plate including a Star, but they are
very small.
Maybe I should get the Fogra chart.
Lars.
Hi Lars,
Those small wedges are great to check the plates during production.
However, to control the jumps as described by Fogra, you
need more sophisticated materials.
I hope that you already applied the Altone Test Suite.
On the prints you already can detect the tone jumps.
In the Visual file 4 large round patches are used to check this.
If you don't have the Altona yet, you can download the visual file
free of charge.
Several printers suggest their customers to download this file
to check the basic quality of their proofing systems.
This is one of the reasons to make just this Visual file free
of charge. The other files, Measure and Technic, plus the digital
and analog information is not free of charge but can be purchased
via the
www.altonetestsuite.com web site.
The Fogra digital Plate test file has a lot of additional test patches to
check your workflow.
I would invest in both Altona and the Fogra Test for your CTP.
The Four Colour check plot is a graph with the measurements
of all four tonal curves. The long halftone wedges are used
to measure that condition.
One can see the shape of the individual
curves and the relation between the 4 different shapes.
If they bump at the same point, it seems a CTP problem.
If they bump only in one colour, you have (most probably) a
press problem.
The round control patches can be used to check the influence
of the print and plate direction.
Lots of success,
Henk